Hello
again,
for today and yesterday I'm a
bit late again, but I hope that the content of this post was worth the waiting.
It's a painting step by step of an Ultramarine in I would call it higher
tabletop standard.
I planned
to paint an Ultramarine with my airbrush for
a while now, after I saw the step by step by Arsies on how he paints an Ultramarine .
Preparation
So I chose
some parts out of the tactical squad sprue, deflashed them, pinned them, glued them together and filled the gaps with milliput. The shoulder pads, the head and the bolter were still
detachable to be able to reach certain areas easier and to paint them
seperately as I didn't want to airbrush the head and the bolter blue together
with the body. Time to spray foundation on it:
I planned to
make some scratches and so on on the armor with the help of maskol. As blue is
a bit dark I decided to dab the maskol with a blister spinge directly on the black foundation so that
the scratches would be black and have a greater contrast to the blue than a grey
or so.
Airbrush work
Then I
sprayed the base tone Tamiya Flat Blue XF-8 on the armour and the shoulder
pads, the shoulder pads are still on because I want to catch the same light
situation as on the body, which would be harder to achieve if I would paint
them completly seperat. They are removable because later on I want to spray
some white symbols on them and if they weren't removable I would have to cover
the rest of the miniature so that no white paint gets onto other places of it.
As I had
problems to take photos of the model (the camera didn't focus on the mini) during
the airbrushing process and there is hardly anything to see on the pictures, I
first explain what I did and then give you some of the photos....
So first I
started with the shadows. First shadow was the base colour and some Tamiya Sea
Blue XF-17, second shadow some more XF-17 into the mix, third shadow pure
XF-17. I changed the angle from shadow to shadow, going more and more to the
bottom till for the last shadow I sprayed from straight underneath the
miniature. I also sprayed less and less colour onto the miniature from first shadow to third shadow. I
Hope you get what I mean....
For the
lights it was the same process but instead of spraying from underneath I
sprayed from the top. Colours were for the first light the base colour plus
some GD Midnight blue and some Scale 75 artic blue. Second and third light more and more of the arctic blue. Now the photos:
For the
symbols on the shoulder pads Martin cut me those into masking tape with his
plotter. Thanks for that. So I put the masking tape stencils onto the shoulder
pads and covered the rest of them also with masking tape.
I sprayed Scale 75
white on the shoulder pads for the symbols. Got rid of the tape and cleaned the
boarders as some of the white ran underneath the tape.... Martin told me maybe
I should take airbrushing foil as it seems to bend better on the surface and
so colour is more unlikely to run underneath it.
Brush Work- Metallics
Next were
the metallics on the body and the shoulderpads, ah but before I got rid of the
maskol on the miniature. This was kind of annoying as due to the several layers
of paint the maskol didn't want to come off that easy and there might be some
spots where I couldn't see the wee spots of maskol. Ah yeah back to the
metallics.
First a
layer of I think it was bestial brown or snakebite leather...can't remember. Then
the metallic base colour was Vallejo Game Colour Glorious Gold.
First shadow
some Vallejo smoke.
Second shadow some scorched brown mixed with Umbra and
third shadow pure Umbra.
First light
was the base colour and some mithril silver, second light some more mithril
silver. Third light was Vallejo Airbrush Colour aluminium with some Glorious
Gold. The third light was only for the edges, as aluminium is quite shiny.
Brush Work- The details
After the
metallics I painted small lines underneath the scratches and highlighted the edges of the armour with a mix of XF-8, Midnight Blue and more and more Artic Blue. For the edges I did this in several steps becoming more and more brighter, for the scratches I did only one tone for the scratches that were in shadow areas and a second brighter tone for the ones in the brighter areas.
Then I painted the details in mainly grey tones. The sigil paper was Scale
75 Nacar, shadowed with Umbra and highlighted with more white into the mix and
the stamp some blood red, highlighted with more yellow and white and shadowed
with my all time favourite colour liche purple.
The bolter
were just grey tones nothing very interesting. Ah the silver maybe, basetone
mithril silver, black as shadow (pure thinned black, as always no metallics in the shadow
colour) and as lights little dots of aluminium so that it looks a bit dented.
Brush Work- The Face
Now my favourite
part, the face. Base layer was Scale 75 Basic Skin.
First shadow was some Scale
75 Indian shadow into the base colour.
First light some Scale 75 light skin.
Second shadow some Scale 75 african shadow.
Second light was Scale 75 pale
skin.
Third light was some scale 75 white with pale skin.
Now that I was done
with highlights and shadows I tried to bring some life into the face. A glaze
of Scale 75 Abyssal blue underneath the eyes, lich purple into the temples and
dark flesh underneath the cheekbones.
The eyes
were painted with a mix of white and a bit dark flesh and then a black dot,
nothing fancy.
Then I tried to give him a hair and beard shadow on
the skin with a glaze of a mixture out of Basic skintone, abyssal blue and
enchanted blue.
The hairs
are base coloured with dark flesh, for the light some basic flesh into the mix.
Shadows, I can't remember, I might have just put a fast glaze of umbra over it.
So every
part of the marine is painted, time to glue him together:
Brush Work- The Base
Next the
base. I took one of Martins casted bases and added some details.
Primed it with
black and started to paint it. Some
abyssal blue mixed with white as base colour for the plates. Then I took to
strips of masking tape to get a straight line on the boarder of one plate and
painted it yellow.
Then I cut out a thin strip of masking tape, cut it into
peaces and put it on parallel on the first to strips to get lines which were
painted black to get a warning stripe as the result of the process.
I shadowed
the base into the direction of the boarder with abyssal blue and then black.
Highlighted the edges of the plates with a brighter grey.
The pot was
painted in glorious gold.
First shadow with dark flesh.
Second shadow with
Vallejo Smoke.
Third shadow was black.
First light some mithril silver.
Second
light some alluminium.
Both lights were painted as small dots for a dented
look. The rivets on the base are just mithril silver as basetone and black as
shadow, nothing else.
THE FINAL
After some cleaning I glued the miniature onto the base
and voilà!
Here are
some more pictures, shot with my mobile cam, as I didn't have time to take some
proper photos...sorry...going home for christmas tomorrow after work...
So I hoped
you liked this article. Read you soonish!
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